S1.E8 ∙ Rath Yatra - Puri, India

Orson Welles and Elizabeth Taylor compassionately narrate this harrowing documentary about Jewish persecution in Nazi Germany, which soon turned into a notoriously industrious plan to wipe them from existence.

When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run.

This documentary uses news footage and amateur video to paint a vivid picture of Romania's 1989 revolution and the fall of dictator Nicolae Ceausescu.

Part One: This 2-part series follows River Hagg as he travels to war-torn Syria, in hopes of documenting stories of the worst humanitarian crisis since WWII. He finds a medical unit of foreign volunteers as they provide aid to civilians, YPG fighters and ISIS. Part two: The volunteers continue to push with the YPG to the ISIS defended city of Manbij, Syria. River hears news from home and plans his exit. The team is granted access to the front lines and they find themselves on dangerous ground, surrounded by ISIS.

Making a war is a storyteller's job. A good story is crucial to legitimize the use of military force. That's why militaries need strong promotion and Israel is a model country in promoting its military ventures. We've successfully colonized, occupied and overgrown, and only got stronger and more accepted amongst the nations. Our history as persecuted Jews, our enlightened democracy are both in use in our solid PR kit. But before pitching our story to the world, we need to pitch it to our children. As moral corruption linked with apartheid thrives, avoiding service becomes a threat. For some children we'll offer benefits, for most we'll sell fictitious promises. Every child is screened to serve with bearable pressure and an adjusted amount of exposure to violence. 'Innocence' tells the story of children who resisted to be enlisted but capitulated. Their stories were never told as they died during their service. Through a narration based on their haunting diaries, the film depicts their inner turmoil. It interweaves first-hand military images, key moments from childhood until enlistment and home videos of the deceased soldiers whose stories are silenced and seen as a national threat.

The 'reconstruction' the title refers to is the re-working, re-editing, restructuring of Sam Fuller's The Big Red One bringing it closer to the film Fuller had originally envisioned. It includes almost 48 additional minutes of footage which was not utilized in the film's original release.