S1.E3 ∙ Il proletario e il nazionale

A nonfiction fairytale about love, death, art and the letting go.

Since the 1970s New Delhi's magicians, puppeteers, and circus performers have called the tinsel slum, the Kathputli Colony, their home. Last year the government issued relocation permits to the colony residents; the slum is to be bulldozed, cleared for development. Experience the last remnants of a culture born out of folk art and molded by poverty.

A broad look at the fraught history of American puppetry (its marginalization as children's theater and its sudden explosion as high art) with an intimate thread following Dan Hurlin, a downtown artist who is creating a complex puppet work about an eccentric, Depression-era photographer. Dan has just recovered from a scorching New York Times review, which forced his last show out of theaters prematurely. Now he faces a wider backlash against puppetry, suggesting an eerie parallel between himself and his new puppet-subject - a portrait photographer whose stunning body of work was very nearly lost forever.

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker's window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

The film is about brave young women that spoke the truth about Russian political situation and struck a strong blow to usurping regime and about the revenge by regime.

Did the devil make you do it? This documentary film explores the growing fascination of demonic possession in American culture and those who perform actual exorcisms - is it real or merely the concoction of religious zealots?