S1.E3 ∙ Sandra Chevrier

During the Six-Day War, Israel attacked and nearly sank the USS Liberty belonging to its closest ally, the USA. Thirty-four American servicemen were killed in the two-hour assault by Israeli warplanes and torpedo boats. Israel claimed that the whole affair had been a tragic accident based on mistaken identification of the ship. The American government accepted the explanation. For more than 30 years many people have disbelieved the official explanation but have been unable to rebut it convincingly. Now, Dead in the Water uses startling new evidence to reveal the truth behind the seemingly inexplicable attack. The film combines dramatic reconstruction of the events, with new access to former officers in the US and Israeli armed forces and intelligence services who have decided to give their own version of events. Interviews include President Lyndon Johnson's Secretary of Defence Robert McNamara, former head of the Israeli navy Admiral Shlomo Errell and members of the USS Liberty crew.

Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.

We call those who suffer from the melancholy of eternity, eternals. Convinced that death cannot triumph over their lives, they believe that they are doomed to wander in anticipation of the day when they will be freed from their existence. This film is a story of wandering and fleeing, on the borders of Nagorno-Karabakh, an Armenian enclave in Azerbaijan. Inhabited by the ghosts of genocide and by the war that has raged there for over twenty years, the characters who pass through this film carry within themselves the melancholy of the eternals.

When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.

Jeremy Clarkson tells the dramatic story of the Arctic convoys of the Second World War, from Russia to the freezing Arctic Ocean.

THE DISTANT BARKING OF DOGS is set in Eastern Ukraine on the frontline of the war. The film follows the life of 10-year-old Ukrainian boy Oleg throughout a year, witnessing the gradual erosion of his innocence beneath the pressures of war. Oleg lives with his beloved grandmother, Alexandra, in the small village of Hnutove. Having no other place to go, Oleg and Alexandra stay and watch as others leave the village. Life becomes increasingly difficult with each passing day, and the war offers no end in sight. In this now half-deserted village where Oleg and Alexandra are the only true constants in each other's lives, the film shows just how fragile, but crucial, close relationships are for survival. Through Oleg's perspective, the film examines what it means to grow up in a war zone. It portrays how a child's universal struggle to discover what the world is about grows interlaced with all the dangers and challenges the war presents. Thus, THE DISTANT BARKING OF DOGS unveils the consequences of war bearing down on the children in Eastern Ukraine, and by natural extension, the scars and self-taught life lessons this generation will carry with them into the future.