SUnknownTanya Pearson Interview with Mish Barber-Way

The story of a family of meerkats living in the Kalahari Desert in South Africa.

Interviews with the creators and fans of American superhero comic books.

A couple of dancers appear one morning in a High School. It's Monday and they announce to a group of youngsters that they have five days to get up on stage and dance. A short time but a big challenge. The dance compels these youngsters to break through their roles exactly at the time of their lives when the social roles are being forged. The handsome boy is no longer the most admired, the timid one takes a step forward. Wilfried van Popple and Amaya Lubeigt are the choreographers. Professional dancers who have decided now to work with people who have never danced before. This is the challenge: five days, a class of teenagers, a microcosm in which occurs a little big bang.

Tchinda is one of most beloved women in Cape Verde, especially after she came out as a transgender person in the local newspaper in 1998. Since then, her name has become the term used by locals to name queer Cape Verdeans. Despite her great reputation, Tchinda remains humble and every afternoon she happily tours the neighborhood to sell her best "coxinhas", a classic Brazilian treat: delicious fried balls of chicken. But every February all changes. It's the month leading up to their Carnival, when the slow-paced atmosphere of the island transforms into a frenzied hustle and bustle as thousands flock to the streets. The days before the Carnival are hectic. Locals join forces to create something beautiful out of nothing. It becomes a «Little Brazil» as their most acclaimed singer, Cesária Évora (1941-2011), defined in one of her most famous "mornas". This documentary is as trip to an unknown side of Africa that very few may have ever imagined.

Scientists are learning that each bee in a hive is an individual, with its own personality. Follows the circle of life of the honeybees.

Four Springs is a documentary film that presented a family's daily life in the remote town of Dushan in the Guizhou province in southwest China. From a subjective angle, the camera induced the flow of life out of the screen: the quotidian toils, singing, excursions in nature, visits among friends and extended families, funerals, reunions and departures. It presented the state of being of the two main characters, the director's own parents, and their attitude when facing irretrievable loss in life.