S1.E3 ∙ Fast Times at Ridgemont High

A nostalgic, fascinating and heart-breaking journey into the core of the series books, 'children of the world', a very popular photographed children books in black & white from the mid of the 20th century. The books, which are still printed in Israel were created by the Jewish-Swedish photographer, Anna Riwkin-Brick (1908-1970). They were translated by Leah Goldberg. This is a twisted unbelievable detective story, which follows the missing heroes of the books. Were there real children? Where are they? is also a poignant emotional journey into a vanishing childhood of all of us, the children from the pre-television area in Israel, when trips around the world were such a far way dream. Does it worth, searching for the past, try to catch it?

In February, 1950 the world's largest bomber takes off on a secret Cold War mission from Alaska. Its cargo - a MK IV nuclear bomb. Halfway through the mission three engines catch fire while the bomber is flying near Canada's west coast. Forced to abandon the mission, the crew puts the plane on autopilot, a course that will take the crippled bomber out into the Pacific. Despite the largest search and rescue mission in US Air Force history, the aircraft, five crewmen and their nuclear weapon are presumed lost in the depths of the Pacific Ocean - until now.

An intensely experimental piece of cinema. A sketch for McMullen"s later films and theatre experiments. It's subject is the French Resistance movement of the Second World War and the traumas suffered by the ex-Resistance fighters unable to cope with the memory of War or their loss of a role in Peace time conditions. Resistance investigates the concept of Resistance both politically and psychoanalytically. The resistance of of an individual to the exposition of his own unconscious becomes the dramatic focus of the story. It is a uniquely radical journey both in cinema and in the evolution of the text. It is always insightful with imagery striking in it's singularity.

To escape military recruitment and death, 14-year-old boy runs away from war-torn Aleppo and finds himself all alone on a dangerous and uncertain journey along the Balkan route. He faces trials that transform him from a vulnerable boy into a beacon of hope, all while trying to reunite with his family, for whom he is the only salvation.

Watatu, made by Kenya's leading arts for social change organization - SAFE Kenya - examines the rise of radicalization amongst young Muslims in Mombasa. Part drama, part documentary, this forum film provides audiences around Mombasa the chance to change the outcome of the story.