SUnknownDolbeau, Togo

Filmmaker Jean Donohue unravels the story of an underground gay, gender bending community rooted in the Civil War and on a continuum through the closeted Old South homosexual society, gay liberation of the 1960s, the ecstatic 70s, to the grip of fear at the rise of the religious right and HIV AIDS epidemic of the 1980s. In 1970, the Old World Southern gay culture was changing, enter The Pagan Babies, a loose group of artists and drag queens who set out to challenge the hierarchical homosexual society with guerrilla theater interventions and fantastic costumes. Before Robert Mapplethorpe's infamous photos, there was R. Michael Walker and John Ashley who documented the Pagan Babies. The film also features a Kuchar film and this is what happened.

What is a family? Rosie O'Donnell looks at the many answers to this question in this documentary that features original songs and thoughtful kids musing on love and family. The show provides a moving portrait of the remarkable diversity of families today, including same-sex parents, mixed-heritage families, and stories of adoption. Animated songs and musical performances by kids and families spice up the festivities along with performances and recordings by artists including Ziggy Marley, Bonnie Raitt, Doris Day, Sweet Honey in the Rock, Frank Sinatra, Rosie O'Donnell and They Might Be Giants.

For 30 years, Bishop Fred Jones and his family have performed on the southern gospel circuit, largely unseen by those outside the Pentecostal faith. When the Bishop, despite objections from many within his faith, decided to take his family's musical ministry outside the church, he unexpectedly connected with the oddest of allies -- a jaded, atheistic rock critic, who also happened to be a gospel historian. To Michael Corcoran, the Jones Family Singers represent a living link to a style of gospel he thought had disappeared. These most unlikely of friends bonded through perhaps one shared trait -- a deeply rooted rebelliousness.

With Chinese society rapidly changing around her, one young mother finds it is not so easy to bring ancient ways into her modern family.

Amy's right leg is completely crushed. Her first thought, "Am I ever going to dance again?" Her second thought was 'If I survive the night there will be a Victory Dance.'

Set over four days of unrelenting wind and rain in a remote village high up in the Nafpaktia Mountains in the west of Greece, the film follows the lives of two shepherd families struggling to live. The village, now forgotten and near deserted, has had its best days. Paxnis, the old white haired shepherd, who had foreseen the trouble this land would face has already given into despair. Giorgos unable to sell his goats and with debts mounting up, drinks to forget. Combining documentary and fiction with an all local cast 'To the Wolf ' is both the reality and an unsettling allegory for today's Greece