S1.E1 ∙ Robbing the Cradle: The Looting of the Iraq Museum

A unique documentary that takes audiences to Hana, a close-knit, isolated town on the east coast of Maui known as "The Last Hawaiian Place." There we meet Monyca Byrne Wickey and Lipoa Kahaleuahi, two native girls who have grown up taking hula lessons, hiking to secret pools, surfing, and learning traditional Hawaiian values. Theirs has been an idyllic upbringing, but both face the same challenge: they've grown up in paradise, but what will be next? Lipoa, who has chosen to attend college on the mainland, returns for the summer to try to heal a rift in her family and bond again with her father, so that she may return to school in the fall with a sense of wholeness. After her high school graduation (in a class of only 24 other students) Monyca watches many of her classmates leaving to go to university, and the pressure is on for her to develop a professional surfing career. In the end, both girls strive to create an adult life in which they remain true to their Hana roots, but develop the strength to move on and become independent. Their quest is deeply informed by Hana's strong power of the land, mana, and by their own inner strength and resilience.

"Saturday in Oslo" - Norwegian youngsters seen through the eyes of Swedes. Skiing, church going, students, city life, pop music, and Club 7.

The story of five cashiers who work the same shift in a supermarket. Most are immigrants from Russia, others are native Israelis. The film follows their relationships, the mutual support and solidarity, dealing with the management and customers, their difficulties making a living and their working conditions, as they try to change their fate.

A look back at some of Coronation Street's scariest moments, including the reigns of some of its most terrifying villains such as Richard Hillman, Alan Bradley and Jez Quigley.

With the deadly fraternity wars among Filipino youth as a starting point, "Kaptiran" becomes a cinematic essay about the filmmaker's hometown of Manila. Blurring fact and film together, it is a bleak, disjointed portrait of a disjointed city; a meditation on its social cancer.

In 1989, Romania didn't have a revolution - it suffered a coup d'etat. The Romanian secret police knew that it was coming and had time to prepare for it. And so, in order to take advantage of the opportunities that would be presented by the free market, they started an experiment to turn 'socialist man' into 'capitalist man': The Bucuresti Experiment. The film follows the first man to take part in the experiment, Andrei Juvina. It looks at how the experiment destroyed his relationship with his former partner, Carmen Anton, a former popular singer.