S1.E31 ∙ Deepika Padukone

Donetsk is the coal-mining area of Ukraine. Here most people work for low wages in the run down mines, while others make a lot of money. No matter which side of the social divide you are on, coming from Donetsk you will almost certainly be an opponent of the Orange Revolution and a fan of the local football team, Shakhtar Donetsk. Billionaire Akhmetov invests heavily in the club, which is becoming a major European force during the season followed by the film. Yet this sporting success funded by an Oligarch fortune only seems to highlight the wider social and political stagnation of the region. Off the pitch, the outlook appears bleak...

Save My Seoul follows two Korean-American brothers as they discover rampant prostitution and sex trafficking in Seoul, South Korea. With the use of hidden cameras and access to pimps, johns, and sex-workers, Eddie and Jason explore and unravel the complexity of the sex trade in Seoul. They learn that this problem is rooted in issues far deeper than lost girls and lustful men. Instead, it's a consequence of the broken Korean culture that turns a blind eye to and condones one of the biggest human injustices of our generation.

One Man's journey in search of what it takes to be a successful young entrepreneur.

The endearing Elda aspires to be a rock star. In her non-stage persona, she goes by Diego Detona, a teacher who lives with his family and harbors some reservations regarding his transformation. What exactly is the alter ego?

Tunisia, before the revolution. A man on a motorbike, razor blade in hand, prowls the streets of Tunis slashing women's buttocks. They call him The Challat, aka "The Blade", and the mere mention of his name provokes fascination and terror. Is he a lone criminal, an urban legend, or could he be the creation of a political group or religious fanatics? 10 years later, in the aftermath of the Arab Spring, a stubborn young female director sets out on an investigation to unravel the mystery and discover the true Challat of Tunis...

A witty satire about cultural stereotyping.