S1.E6 ∙ The End of the Renaissance?

Filmed over 5 years, A Syrian Love Story charts an incredible odyssey to political freedom. For Raghda and Amer, it is a journey of hope, dreams and despair: for the revolution, their homeland and each other.

A funeral car cruises the streets of Medellin, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts.

In the early morning of November 25, 2008, Mexican singer Valentín Elizalde Valencia was executed after leaving a performance. Fausto Castro Elizalde, cousin of the singer and only survivor of the attack, tells us what happened that night.

In the summer of 1983, just days before the birth of his first son, writer and theologian John Hull went blind. In order to make sense of the upheaval in his life, he began keeping a diary on audiocassette. Upon their publication in 1990, Oliver Sacks described the work as 'the most extraordinary, precise, deep and beautiful account of blindness I have ever read. It is to my mind a masterpiece.' With exclusive access to these original recordings, NOTES ON BLINDNESS encompasses dreams, memory and imaginative life, excavating the interior world of blindness.

The story of three American teenage girls-each adopted from China-who discover they are blood-related cousins on 23andMe. Their online meeting inspires the young women to confront the burning questions they have about their lost history.

Germany in Autumn has no typical plot; it mixes documentary footage with standard movie scenes to present the mood of Germany during the late 1970s. The film covers 2 months in 1977 when a businessman was kidnapped and murdered by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Faction). The businessman was kidnapped in an effort to secure the release of the original leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state. The film has several vignettes, including an extended set of scenes with famous director Rainer Werner Fassbinder discussing his feelings about Germany's political situation at the time. Fassbinder's scenes almost seem to be candid documentary footage, but they aren't. Other scenes include documentary footage of the joint funeral of Baader, Enslin, and Raspe.