S1.E2 ∙ Liverpool

Kelsey Carroll has one goal--to graduate from high school--and plenty of reasons why she shouldn't. She attends a school with one of the highest dropout rates in New Hampshire and has dealt with homelessness, abuse, and ADHD. As a freshman, she didn't earn a single academic credit, but she did get suspended for dealing drugs. 'Who Cares About Kelsey?' is the story of Kelsey's transformation from a defiant and disruptive 'problem student' to a motivated and self-confident young woman. Along the way, critical figures in her personal and educational life shape her coming of age and play important roles in an education revolution that's about empowering--not overpowering--our most emotionally and behaviorally challenged youth.

Slavik (34) from Ukraine, former world champion in Latin American dancing is making a last and final comeback with Anna, his new dance partner and girlfriend. Slavik is addicted to the limelight and the dance and misses the rush. However, his aging body is causing him severe pains these days, and his flaring temper puts his relationship with Anna at risk. The road to reclaiming the championships is a long, tough struggle. Slavik literally puts everything on the line in his ultimate push for the throne. Failure is not an option, yet failure is so difficult to avoid.

A documentary derived entirely from 'Black Box' transcripts of six real-life major airline emergencies.

Tunisia, before the revolution. A man on a motorbike, razor blade in hand, prowls the streets of Tunis slashing women's buttocks. They call him The Challat, aka "The Blade", and the mere mention of his name provokes fascination and terror. Is he a lone criminal, an urban legend, or could he be the creation of a political group or religious fanatics? 10 years later, in the aftermath of the Arab Spring, a stubborn young female director sets out on an investigation to unravel the mystery and discover the true Challat of Tunis...

One Man's journey in search of what it takes to be a successful young entrepreneur.

The freighter Fair Lady crosses the ocean. The hypnotic rhythm of its gears reveals the continuous movement of machinery devouring its workers: the last gestures of the old sailors' trade disappearing under the mechanic and impersonal pace of 21st century neocapitalism. Perhaps it is a boat adrift, or maybe just the last example of an endangered species. Although we don't know it, the engines are still running, unstoppable.