S1.E5 ∙ Episode #1.5

Who runs the world? Is there a shadow world of powerful and elite men pulling the strings of our global society? If so, when did it originate and why? What is the real significance of Rosslyn Chapel? What were the Templars, Assassins, Druids, Augurs, Sufi's and many more really planning for all of mankind? Angels, Demons and Freemasons explores the myths, folklore and legends of the world of secret societies and provides startling evidence for a true and all too real conspiracy that has been ongoing for centuries. Within every religion and every State there lurks an underground stream controlling and manipulating those in power. Great knowledge was fostered and hidden by these groups. Wars and revolutions were carefully planned and orchestrated by a Universal Brotherhood. The knowledge and power of these people would be deemed sacred and protected. Whether it was practical methods of survival such as navigation and measurement or inner psychological and spiritual wisdom, it would become the foundation for secret societies the world over. This is the story of the groups who have guarded this sacred knowledge for centuries. Featuring cutting edge CGI and never before seen footage of Freemason Lodges and the mysterious Rosslyn Chapel. Special guest George Knapp author of "Hunt for the Skinwalker."

It's a four hour flight into their future. Until recently Fekadu and his family have been practicing Christians - though they are of Jewish heritage. Will they qualify for a new life in Israel? They have been waiting in Gondar, Ethiopia for ten years. Fekadu learns that he may go only if he leaves his adopted son, Worku behind.

The agriculture reforming process, after the 1974 revolution, is seen through an analysis of the social structures and class struggles of the Portuguese society.

Miya Masaoka uses music to interact with plants and insects; Jon Rose turns fences into musical instruments with a violin bow in conflict zones ranging from the Australian outback to Israel; John Luther Adams translates geophysical phenomena in Alaska into music; and Bob Ostertag explores socio-political issues through processes as diverse as transcribing riots into string quartets, and creating live cinema with garbage. By contrasting the creative paths of these artists, and a connection between them by the world renowned Kronos Quartet, the film explores music not as a form of entertainment, career, or even self-expression, but as a tool to develop more deeply meaningful relationships with people and the complexities of the world they live in.