S1.E12 ∙ Taking Out Al Capone

Elvis Presley was born a star and is still called the King of Rock'n' Roll. He made an enormous impact on people's lives with his music, his shows and his loveable personality, but he had a darker side that very few people knew about. He was a complicated man with a big temper, and despite being surrounded by friends, family and his fans, he was lonely and became depressed. His quest for spirituality shows us that he was searching for answers and the meaning of life, and his spiralling drug problem played a big part into his 'descent into hell'. His best years in Vegas are haunted by the dark times throughout the final years of his life. He became broken, and while he found fame, he lost himself. His death was sudden and tragic, but the signs were there all along that the King had become ill, and wasn't up for the show anymore.

The "Duque de Alba" is one of the last three adult movie theatres remaining in Madrid. Rafael, the projectionist, works hard every day in order to make the place tidier. He hand-paints the movie posters himself, he puts flowers and houseplants around, he fits out the entrance... Even though pornography is mostly consumed online, the theatre works due to a fixed clientele. The "Duque de Alba" is, indeed, more than just an adult movie theatre: it is a shelter, a refuge. Yet Rafael has to face a new problem now: Luisa, the ticket clerk with whom he's worked with for more than thirty years, the only one who helps him make the theatre a better place, is about to retire.

A dream of love, freedom and peace in Afghanistan

A documentary that closely examines "Psychomobile 1", a theater project Lars Von Trier coordinated in 1996. 53 actors spent two months in a 19-room art museum improvising characters while Von Trier choreographed their moods and movements through a series of traffic lights.

A handful of young Iranian wrestlers dream of becoming the next Olympic champion, however it is not just the championships they have to wrestle their way through but the realities of their lives.

'Foreign Parts' portrays a hidden enclave of automobile shops and junk-yards fated for demolition in the shadow of a new baseball stadium in Queens. The film observes this vibrant community of immigrants - where wrecks, refuse, and recycling form a thriving commerce - as it struggles for daily survival and contests New York City's development scheme.