S1.E7 ∙ Canada

This documentary tells the story of the Corriveau, which was hanged in Quebec City in 1763 for murder, and whose corpse was exhibited in an iron cage for close to 40 days.

What do folklore, black metal and zombies have in common? Ivana Slabáková, the 1st lady of Moravian folklore music, announces a historical discovery - The Script of Mikulcice, an ancient document revealing the importance of Great Moravia, the once mighty kingdom and early adopter of Christianity in Central Europe. Slabáková puts together Moravian patriots, a troupe of pensioned theatre amateurs and the regional head of Satanist Church, to perform a splashy musical performance based on the finding. However, the climax of the show reanimates the dead from ancient Pagan burial grounds and zombie apocalypse ensues. During an epic clash of cultures, Moravia's Christian invaders are wiped out. After that, life goes back to normal - folklore music plays again, zombies work the vineyard and hope for even better harvest ever after. Make Moravia Great Again.

In 2008, a real-life mystery began to unfold when a real estate company discovered video footage shot in one of its vacant properties.

May All Your Christmases Be Black is a DVD companion piece to the 2006 remake of "Black Christmas". It was made for people to see after they've watched the movie itself, therefore containing/revealing spoilers as to how certain characters die, as well as the identity of the killer. The piece seeks to gain insight from writer/director, Glen Morgan on the whys and hows of not only re-making a popular cult classic, but how it fits within his own career. Filmed fly on the wall-style, the featurette mainly covers Morgan's struggle, for good or for worse, to make his film commercially popular while still trying to include elements like a theme and tone in what is essentially a slasher horror movie. The theme of "family" permeates throughout the movie, but also behind-the-screen as well. "May All Your Christmases Be Black" also covers his unusual casting of his regular 1st camera assistant, Dean Friss, to play one of the killers and his experience working on the film in two capacities. Weighing in on various production elements, and on Morgan's directorial style, are his cast (many who have worked with him before), his producing partner, Jim Wong, and his wife (also an actor in the film), and various long-time crew members.

A documentary about creatives with disabilities within the horror industry.