S1.E6 ∙ The Start, Not The End

A brief examination of the link between the bikini and the nuclear bomb.

In an Indiana Jones meets Mother Teresa adventure, three middle-aged friends and ex-soldiers travel the world delivering humanitarian aid to the front lines of war.

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.

All year long there is an 'eternal line' of people waiting to visit the Anne Frank House in the Dutch city of Amsterdam. Who are they? Where are they from? And why are they here? This film watches the line through the course of the four seasons, in search of stories from all over the world. We see people both before and after their visit to the Secret Annex, and hear what it felt like to spend a few moments in such close touch with history. Personal stories are interspersed with passages from Anne Frank's diary, read in many different languages by girls about the same age as Anne at the time. Meanwhile we get an impression of everyday life as it unfolds around those waiting in line - the canal boats, the street musicians, the ticket seller, the homeless man... For all its poignancy "In Line for Anne Frank" is a document that also inspires hope.

Described by Japanese sources of the time as a record of the Chinese city and the history of the "Sino-Japanese Affair" up to the present. A propaganda picture which naturally is very critical of the Chinese government prior to the Japanese Occupation, and which focuses on the Japanese troops stationed there. Of particular note is a memorial to a fallen Japanese soldier. Contemporary sense filmed in December 1937 and January 1938.