S2.E10 ∙ It's Not Goodbye...

America's desire for freedom and the open road resulted in the construction of thousands of highways during the Eisenhower administration. Through interviews, archival footage and photography, America's interstate highway system is revealed to have shaped every aspect of American life and affected the nation's history for better and for worse.

Grindcore is the worlds fastest most aggressively intense music. Fusing the anarchistic and leftist attitudes of the UK Punk scene with the speed and drunken aggression of American Death Metal, Grindcore continues to challenge and offend most listeners.

Operation Pedro Pan: The Cuban Children's Exodus is a documentary film illustrating the story of the more than 14,000 unaccompanied Cuban children that left our homeland from 1960 -1962. Operation Pedro Pan, a U.S. government-sponsored visa waiver program for unaccompanied Cuban children, is the largest recorded child refugee exodus in the Western Hemisphere.

Rockin' the Wall is the story of rock music's part in bringing down the Berlin Wall, featuring the Doors, Quiet Riot, Toto, Vanilla Fudge, plus 'witnesses' from behind the Iron Curtain. Interview footage is mixed with existing and original music from the stars as well as heavy documentary footage and animation to tell the experiences of people behind the Wall and the role rock music played in their lives. In addition to the musicians, interviewees include a member of the Reagan administration involved in Voice of America, several Cold War historians, and is narrated by film and TV star Adam Baldwin.

While a director makes a film about this the origins of Cinema in Colombia, suddenly, his mother, apparently suffers a strange mental disease: without explanation she stops talking. This situation forces him to stop his film and starts recording his mother's everyday activity, trying to understand what possibly is happening to her. The director decides to revisit his family's past and finds a video footage of a children's theater play, shot by his mother, in which he himself acts as a false guerrilla fighter. This discovery brings him back to his original film and leads him to find the relationship that exists between the origins of Colombian cinema and what the media called "falsos positivos" a painful recent even in which it was found out that the army killed innocent youngsters and dressed then up as guerrilla fighters to give the impression they were winning the armed conflict.

The history of Hollywood's handling of the Nazis and its later depiction of the Holocaust they perpetrated.