The Crusader

Summary The character of the crusader, who always took some sort of risk to achieve the desired triumphant end, was very much the typical "white" hero in the very "black and white" characterizations of the 1950s and early 1960s. That sort of hero was most evident in the many westerns of the era. This characterization was borne out of the winning attitude of WWII, where many Americans wanted to believe their heroes - predominantly males - did no wrong. Men wanted to be like them, and women loved them. The Vietnam era ushered in a new compassionate view, reflective of a character like Hawkeye Pierce in M*A*S*H (1972). The character of Andy Sipowicz in NYPD Blue (1993) was one of the first characterizations where the crusader was by no means perfect, but lived by his own moral code. More recent such characterizations, which often portray the crusader choosing the greater good - in the eyes of his own moral code - over personal happiness, and/or legal or political correctness, include Frank Pembleton in Homicide: Life on the Street (1993), Vic Mackey in The Shield (2002), Omar Little in The Wire (2002), Gregory House in House M.D. (2004) and Dexter Morgan in Dexter (2006). Perhaps the character with who most people within recent memory have rooted for, despite his internal struggles and flaws, is Jack Bauer in 24 (2001). In the few instances where the crusader has been a woman, she is often portrayed side by side, or even slightly subservient to the male crusader, such as Dana Scully to Fox Mulder in The X Files (1993).

S1.E4 ∙ The Crusader

Directed : Unknown

Written : Unknown

Stars : Judd Apatow David Chase Alan Yentob Diablo Cody

8.1

Details

Genres : Documentary

Release date : Nov 19, 2011

Countries of origin : United States

Language : English

Production companies : WETA The Documentary Group Academy of Television Arts and Sciences Foundation

Summary The character of the crusader, who always took some sort of risk to achieve the desired triumphant end, was very much the typical "white" hero in the very "black and white" characterizations of the 1950s and early 1960s. That sort of hero was most evident in the many westerns of the era. This characterization was borne out of the winning attitude of WWII, where many Americans wanted to believe their heroes - predominantly males - did no wrong. Men wanted to be like them, and women loved them. The Vietnam era ushered in a new compassionate view, reflective of a character like Hawkeye Pierce in M*A*S*H (1972). The character of Andy Sipowicz in NYPD Blue (1993) was one of the first characterizations where the crusader was by no means perfect, but lived by his own moral code. More recent such characterizations, which often portray the crusader choosing the greater good - in the eyes of his own moral code - over personal happiness, and/or legal or political correctness, include Frank Pembleton in Homicide: Life on the Street (1993), Vic Mackey in The Shield (2002), Omar Little in The Wire (2002), Gregory House in House M.D. (2004) and Dexter Morgan in Dexter (2006). Perhaps the character with who most people within recent memory have rooted for, despite his internal struggles and flaws, is Jack Bauer in 24 (2001). In the few instances where the crusader has been a woman, she is often portrayed side by side, or even slightly subservient to the male crusader, such as Dana Scully to Fox Mulder in The X Files (1993).

Details

Genres : Documentary

Release date : Nov 19, 2011

Countries of origin : United States

Language : English

Production companies : WETA The Documentary Group Academy of Television Arts and Sciences Foundation

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Stelvio. Crossroads of Peace

Stelvio. Crossroads of Peace

A documentary that showcases an extraordinary place in the heart of Europe: The Stelvio Pass. Here, at 3,000 metres above sea-level in the middle of the Italian Alps, one finds an imposing natural treasure where the present meets the past and the visitor discovers a breath-taking landscape and mountain sports experience. Whereas the Stelvio alpine glacier is a big tourist attraction for summer skiing, the mountain road to the Pass, an engineering wonder built in 1825 by the Austrian Empire, hosts the most famous stage of the Giro d'Italia. But people once battled here not just for sporting reasons: One hundred years ago soldiers on those peaks experienced the so-called White War which took place on the highest and coldest battlefield of World War I. After one hundred years trenches, cans, bombs and weapons from that cruel war are still found in the snow by people like Mario Pasinetti, a hotel porter and former member of the Italian Alpine brigade, who collects war remains in his spare time. Through Mario's story the viewer meets the people that make the Stelvio a lively microcosm: Claudia, a female forest ranger; Gustav Thöni, a former world skiing champion; Pompa, an aficionado and pilot of vintage airplanes as well as inventor of Artic rescue tools which he tests personally on the glacier; and Lorenz, a shaman who lives at the foot of the Stelvio road. Through these people and other characters, along with the help of majestic mountain shoots (including helicams and wescam shoots), this documentary enables us to discover the unexpected power and magic of this alpine microcosm that has changed from a point of collision between hostile forces to a place of interchange and discovery, of encounters and leisure activities: a "crossroad of peace".

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