S1.E5 ∙ Verborgene Schätze der Arktis

High school Chemistry teacher, Josh Mc Kensie had a reputation for being one of the best teachers in his state. That was until he gave a student a non-passing grade. The student then alleged that the reason was due to her not accepting the teacher's sexual advances. Josh Mc Kensie, although innocent, and the student's lie later recanted, however, had been placed into a massive psycho-physical nonconsensual high tech, mind invasive, covert verbal harassment, technology testing operation shattering and destroying his life covertly and reported by untold numbers of very real victim's within the United States and globally today.

Two cousins from a close-knit rural community have opposing plans to develop their homeland on South Africa's Wild Coast. Nonhle wants to preserve their traditional Pondo lifestyle, spectacular coastline and family graves through eco-tourism. After titanium is discovered, Nonhle's older cousin Madiba intends to turn their community into a bustling mining town and supports the South African Government's plans to build a highway through their land. He believes large-scale developments are the only way to bring his community the hospitals, schools and roads they need so badly. Meanwhile, their Pondo King and Queen are dethroned by Government after speaking out against the developments. To fight for their throne the Royals must take on Government who have replaced the King with his pro-mining nephew.

A film about the changing faces of people and places.

Discussion about journalism today in Brazil, inspired by the play "The Staple of News" (by Ben Jonson, published in 1631)

Can we recover confidence someday?

The art of becoming is a poetical documentary on three unaccompanied minors from Afghanistan, Syria and Guinea, who hope for a stable future in Europe. Their stories are intertwined : Fattah toils in Istanbul, hoping to earn enough for the journey to Greece and then Italy; Saleh has been living in Europe for three years but yearns for his parents; and Mamadou tries to hang on to his job and his education in Belgium in spite of having become an undocumented migrant. The movie is character-driven. It steers clear of traditional interviews but radically opts for an artistic depiction of the reality of each of the boys through a camerawork that borders that of fictional movies.