S1.E5 ∙ Red Lorry Yellow Lorry

Since the death of her mom, filmmaker Susan Austin has been obsessed by what experts call the Good Death. A gold standard in dying. But this wasn't Susan's experience with her mom. So she sets out to interrogate this Good Death and explore the perplexing situation wherein many hope for this idealized death but few experience it. As Susan reflects on her own experience, she comes to appreciate all we're up again in America: a medical system that often keeps people fighting for their lives, doctors ill-equipped to guide the dying, and a culture that simply doesn't know what to do. The film leaves viewers wondering what they will do in these situations and lets us off the hook where we might fall short.

An insider's perspective of the small, underground community of surfers in Cleveland, Ohio. Theirs is a life of shared dedication for the water and to waves that rarely come. In the backdrop is a Great Lakes city trying to recover from a legacy of lost industry, lost jobs and a river polluted enough to catch on fire. Still this culture persists in this unlikely corner of the surfing universe amid harsh weather and gray skies. For them, the golden age of surfing is right now. And it's happening on the frozen beaches of Lake Erie, five hundred miles from the nearest ocean.

A woman with Alzheimer's disease and a filmmaker decide to create a tribute that showcases the family, using the nostalgia and magic of super 8 home movies and vintage film photographs.

In front of impunity, the film immerses in a vertiginous journey to rebuild Isabel's image and life.

In 1776, Britain's House of Commons hold a debate concerning the future of the American colonies.