S1.E4 ∙ Atlanta National Airport

Challah Rising in the Desert celebrates the history and people of New Mexico's unique Jewish community. In this new feature documentary, braided Challah bread represents five waves of settlement of New Mexico's Jewish community including Conversos escaping the Spanish Inquisition 400 years ago, German Jewish pioneers of the Santa Fe Trail in the 1800s, scientists of the 1940s at Los Alamos and the counterculture of the 1960s. Challah Rising is a moving tapestry of the Jewish experience woven into New Mexico's unique history and landscape.

Jesse James, Billy the Kid, Wyatt Earp, Doc Holiday, John Wesley Hardin. They're all here is this award-winning film that separates the fact from the fiction about these and many other legends of the West. Nominated for two Emmy awards and Winner of the prestigious WESTERN HERITAGE AWARD for Best Television Feature, Legends of the American West utilizes archival and vintage photos, footage, classic art and spectacular dramatic reenactments to tell the true stories of these Western legends. Filmed at the actual historical locations throughout the American West where these events took place, including locations in Colorado, New Mexico, Arizona, Missouri and California.

The Breath Courses Through Us is a documentary about the New York Art Quartet, a pioneering 'free jazz' group from 1964-65. The film revolves around their reunion after 35 years, a private dinner together and a concert in New York City. This lyrically edited film, enveloped ion their music, looks back at their formative years, history, musical ideas, and presents a picture of who there men are today. John Tchicai (saxophone), Roswell Rudd (trombone), Milford Graves (drums), Reggie Workman (bass) are joined by poet Amiri Baraka. There are few films on jazz with such an intimate look at musicians, and fewer films that focus on this period and genre in jazz music.

A decade after the end of the Second World War, Marcel Besançon, a Swiss exec working for the European Broadcasting Union, had a daring idea. He wanted to stage a live Pan-European singing competition to promote the nascent television services of Western Europe, and bring the divided nations of a war-torn Europe closer together in a shared celebration of music. The first Eurovision Song Contest took place in Lugano, Switzerland, on 24th May 1956. Just seven countries took part (six of whom, significantly, went on to sign the Treaty of Rome and lay the foundations of the European Community) but it was an instant hit and has become an unbroken annual fixture in the life of the continent. But it came to mean even more than that. During the Cold War, the glitz and glamour on the Eurovision stage was seen as a symbol of Western fun and freedom. Only a very few in the Eastern bloc were able or brave enough to risk their lives by tuning in to Finnish TV signals in secret. In recent decades, following the fall of the Iron Curtain and breakup of the Soviet Union and Yugoslavia, new nations have clamoured to take part, injecting new life into the contest and raising the political stakes yet further by seeing it as a rare opportunity to promote their national identity on an international stage. Today, the Eurovision Song Contest is one of the most-watched broadcast events in the world, attracting hundreds of millions of fans across Europe and as far afield as Australasia, Asia and Latin America. Some love it, some laugh at it, some are obsessed by it, but most think of the Eurovision Song Contest as just a great night's entertainment. And yet it has slowly become one of the great popular cultural festivals of our age, a carnival of fun and frivolity that can be taken -- in a certain light -- as a symbol of just how far Europe has travelled since Monsieur Bescancon had his brainwave.

70 years after the verdict was announced, this historical documentation describes what happened in and around the Nuremberg Trial for the first time from the perspective of prominent observers such as Erich Kästner, Erika Mann, Alfred Döblin, John Dos Passos, Ilja Ehrenburg, Elsa Triolet, Willy Brandt and Markus Wolf. Their reports are supplemented by eyewitnesses from Germany, the USA and France.