S1.E6 ∙ Episode #1.6

The Photo-Drama of Creation, is a four-part Christian film produced by the Watch Tower Bible and Tract Society of Pennsylvania. The film presents the Bible's account of God's plan from the creation of the earth through to the end of the 1,000 year reign of Christ.

Roger Morneau was a demon worshiper who became a Christian author and prayer warrior. Family and friends testify that the battle with fallen angels is real and that prayer really can change things.

Vanessa Beecroft is obsessively determined to adopt Sudanese twin orphans. Her consuming passion drives her marriage to a breaking point and fuels her controversial art, raising troubling questions about exploitation, culture clash, and the imposition of the West on Africa.

Salvador Allende, the first democratic-socialist president elected was also my grandfather. On September 11, 1973 a right wing military coup seized my grandfather' life and government, forced us into exile and placed a repressive dictatorship in Chile for 17 years. Thirty-five years later, I return to Chile searching for Chicho- his family nickname - wishing to leave behind his iconic image and bring back images and memories of him and our family. But for my family there are also many unresolved feelings associated with him. Through my journey I feel their reluctance and discomfort but also I begin to understand the complexity of their emotions for over 40 years. The paradox between public and private deepens my search and mirrors Chilean society.

Southeast, the poorest neighborhood in Washington, D.C., has only one sit-down restaurant, but it has hundreds of churches. Faith in the Hood is a compelling portrait of the inner city, seen through the prism of the spiritual life of its people. The film profiles five ministries: a street ministry for former convicts, a socially activist storefront church, a large and powerful Afro-centric church, an evangelical summer camp for youth, and an Islamic school. With commentary from leading experts on African American faith, the film displays the richness of the inner city religious experience and its centrality as a defining aspect of black community life.

People living in a mountain village try to save the nature from destruction caused by hydro-electric power plants.