Du bout des lèvres

Papa Rao, a culprit frames an innocent woman for a murder and eyes her property. She proves her innocence at last and Papu Rao is punished.

Two young boys get in trouble with the law and wind up in prison. One, who was raised in poverty in the slums, goes to a reformatory and picks up tips on how to become a master criminal. When he gets out he refines his criminal skills, but a stool-pigeon rats him out and he winds up in an adult prison, where he is subjected to severely-regimented behavior, inhuman conditions, and brutal guards. The second boy comes from a wealthy family and is sent to prison for forging his father's signature--coincidentally, the same prison where the poor boy, who had been released but is back in for assaulting the stoolie, and he become friends. When a member of the poor boy's gang is unjustly sentenced to death for the stoolie's murder, the two boys escape to try to clear his name and find the real killer.

The love story of a crippled girl and a naval officer.

Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before. This is a film about memory - personal and collective. To quote the director: 'the story of a house, land and two families - one white, one Aboriginal - both living in the shadow of the past'. The deliberately ambiguous title could refer to the house itself, but also the history of White Australia (see Terra nullius).