David Searching

A recently married couple face the intrinsic dynamics of a couple's relationship during personal turmoil. Will love prevail for this couple or is their romance destined to be tortured forever?

Santa Fe begins where Corti's 1982 film God Does Not Believe In Us Anymore leaves off. In 1940, a ship arrives in New York harbor filled with exhausted Jewish immigrants desperate to begin a new life. Freddy struggles to find work, learn English, and overcome his piercing alienation. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. A totally absorbing picture, which examines with complete assurance the hopes, doubts, and memories of immigrants who have no place to call home. Corti's trilogy continues with Welcome In Vienna.

A man distraught over the loss of his fiancé joins a grief therapy group, and interacts with a group of strangers sharing loss of a loved one. While he finds comfort in their stories of grief, his own story holds a devastating secret.

Inger gets pregnant with an American man who abandons her. Maskot moves in with Inger. She wants them to start a relationship, but the Maskot has other plans. He performs several thefts and uses Ingers apartment as a hub.

17 year old Kate Daniels is no stranger to the world of mental illness, but when the problems of those around her start to pile up, she realizes that maybe they aren't the ones she should be worrying about. After her sister is diagnosed with OCD, Kate and her family need to make some changes. Kate's journey introduces audiences to issues like alcoholism, depression, and finally suicide.