Crazy About You

In the forties in Japan, a group of brilliantly qualified university students are selected to break all ties with their previous lives and form the Japanese spy service.

Four college kids come to a video store near midnight, and through an unusual twist become embroiled in a hostage situation.

Kathir works as an IT professional at Dindigul and visited his village on a holiday in order to attend his elder brother's wedding but only to realise that the wedding has been cancelled. Things take unexpected swift when relatives come to know that the woman who was engaged with the elder brother of Kathir is actually the girlfriend of Kathir.

A wheelchaired apothecary is summoned to the police station for "a particular matter". The old man is convinced that his sin is revealed, which he had committed during the war. His friends insist that they only wanted to joke with him but his conscience can no longer be silenced.

Everything runs like clockwork for the Jens family: Hanna and Martin are extremely happily married, their son Paul is a bright, funny eleven-year-old boy. Professionally, too, things are going well: Both are employed in managerial positions in a Hamburg shipyard, Hanna in quality management, Martin in the development department. Everything is fine the way it is. And then it gets even better. Because completely surprisingly, Hanna is promoted to second managing director by junior boss Bernd Möller. A recognition that Hanna would never have dreamed of. And Martin is overjoyed, too, as he now sees the necessary funds for the development of his passion project, a revolutionary fuel cell, within reach with Hanna's support. Of course not all that glitters is gold. Because what Hanna didn't know, the traditional shipyard is on the verge of bankruptcy. Hanna has to go through a tough austerity course, which Martin's project also falls victim to. Sworn to secrecy by junior boss Möller, Hanna cannot confide in her angry, disappointed husband. Thick storm clouds are now hanging over the former picture-book family, which are becoming even darker because of Martin's widowed, headstrong father Willfried, who has temporarily moved in with them. For Willfried, the mere fact that not Martin but Hanna became boss is an impossibility; that she is now also - apparently - deliberately sabotaging his son, another sign of the completely wrong course of the modern world. Where will this all end? First of all, in a veritable marriage crisis of the former dream couple. While Martin seeks encouragement from a young colleague, Hanna wears herself out in her fight for the shipyard and slowly discovers that someone is playing the wrong cards in order to enrich themselves from the ruin of the shipyard. But it seems too late to try to save both the shipyard and their marriage.