Christmas in Evergreen: Bells Are Ringing

A teen orphan spends the summer on Isle of Man with estranged grandpa. Despite loving dogs, they want summer to end. Boy befriends neighbor girl, but her father has history with grandpa. Locals suspect neighbor's dog kills sheep at night.

Ae-ran (Viki) and Min-ho are perfect couple. However, Ae-ran is unsatisfied so she starts a 'Challenge Game' in which she seduces and has sex with strangers. When, she meets Alex (Hyun-ho Choi) a Handsome man. Game turns into catastrophe.

Lana's only chance to escape the war-torn Balkans is her long-lost brother, a street-smart gangster with vengeful enemies. But her illusions are shattered as she is forced to survive by any means possible on the streets of Chicago.

After an innocent country girl is violently raped, her family is killed in a car accident before she can come to terms with what happened. As her feelings of shame grow into self-degradation, she turns to prostitution.

A young sailor returns home to discover his girl has married an older, wealthy man.

Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its ultimate setting: Versailles. There are two protagonists - first the title character, Louis XIV, the French sun-king who has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer (like Nero wrote and performed musical poetry), and starts asserting himself against the entourage of his Medici mother, the regent during his minority, by building his palace complex and launching a 'fitting' new, mainly musical display of baroque show. Secondly the musical genius Gianbattista Lulli ('Jean-Baptiste') Lully, a Florentine upstart of unbridled ambition, quickly gains the king's absolute trust, despite the nationalist and aristocratic opposition to a low-born Italian, and thus turns the normally socially humble post of court composer into a 'ministerial portfolio of culture' of Cabinet rank, complete with a monopoly which kills of his artistic rivals in operatic theater. The script also weaves a complex web of court scheming for individual power and social interests, and even a sadistic but accidental murder on a young valet, producing a sensuous and sumptuous drama too complex for this format, ending in a freakish but fatal accident. Louis XIV's mother was Ana de Austria (in French, Anne d' Autriche), the daughter of one of the Hapsburgh Kings of Spain. Maria di Medici (in French, Marie de Médicis) was his grandmother, his father's mother. She was dead before Louis XIV reached the throne. Please correct the reference to "his Medici mother"