Bussen

Spinnin' is a wonderfully exuberant, multi-layered Spanish drama. MADRID 1995. Garate and Omar are young, gay and in love, and want to have a child. After failed attempts with their female pals, they befriend Raquel, a pregnant woman whose partner has died of aids. Sound conventional? Spinnin' is anything but. It is a wildly entertaining, inventive and cheeky film that throws the audience in the centre of these friends' chaotic lives, and celebrates being alive. Garate and Omar are surrounded by myriad colourful characters: from new-born babies to Garate's 60 plus father who is falling in love again; to two policemen who list things that are important to them, in the desire that their lists match up; to a couple who are either kissing each other, or fighting - both with equal passion; and many, many others. There's not a dull minute in this whirlwind of a film. Surrender to the charms of Spinnin' and you will leave the cinema wanting to embrace each other, dance and throw your arms up in joy. A Festival highlight.

Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.

A folk dancer (Qamar) lives in a building that includes a group of families. Upon the arrival of the new resident, husbands flock to her, including the tax authority employee Fawzi (Karim Mahmood Abdulaziz), the Arabic language teacher (Muhammad Ramadhan), and the singer (Sad El-Sughayyar). The situation of these families is reversed. Wives try to keep their husbands from her in comic events.

Yusuf and Ali are two little friends. Friends have lost Ahmet and believe that he is in heaven. For this reason, Ahmet is making gifts from his hands to announce his voices. To get to the 7th floor of the wing, they will join the villages with the minds of the villagers, and they will be adventurously adventurous.

No longer able to make a living as a fisherman, Gibraltan Carmelo goes to London to seek his fortune.

One of the best family psychologists in the country unexpectedly decides to conduct a free experimental course using the psychodrama method. The doctor gathers four women in his house, each of whom comes with her own difficult life situation. In the process of work, it becomes clear that the Doctor himself needs help most of all.