Biktima

The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.

The film tells of Dr. Robert Payne's adventures in Shanghai 50 years ago. Payne falls in love with beautiful Qiuqiu, the consort of revolutionary hero Jin, who is a communist leader in the Shanghai underground However, he suffers from seizures caused by old head wounds and becomes Payne's patient. Hao Ming is the brutal chief of the Guomintang secret police. In his hunt for Jin, he discovers that Qiuqiu is his long lost daughter. At a lavish father-daughter reunion, Qiuqiu gets her revenge and shots Hao Ming. She's been arrested and admits her guilt. When Jin realizes how much Qiuqiu loves him, he offers to give himself up in exchange for commuting Qiuqiu's death sentence...

1942. The Nazis launch the decisive phase of the Jew's extermination. From the ghettos, people are transported to the death camps. A young polish family takes in an abandoned Jewish girl - Hania. It doesn't go unnoticed with the local blackmailers, who demand ransom for their silence, Anastazja and Jan decide that the girl must be hidden. This way, Hania meets Pajtek, a local freak, extremely responsive to the beauty of nature and the fate of animals.

Trusha is young woman of today's generation and how far they can go to fulfill their aspirations.

Kamil's peaceful life with his three wives in the remote region of Turkestan is disrupted when a fourth wife arrives. Changes simultaneously rush at a family that seem far from a historical upheaval that destroys long-standing family traditions. The film merges various motifs and images. The motifs of a polygamous family caught in a civil war between White forces and enemies clash with horizontal and vertical images. The images of building interiors indicate where characters and history overlap with an outside scenery. The signs of violent events to come are foreshadowed against a static background. A rare film in the history of Central Asian films, it shows a civil war and the changes in women's lives under patriarchy and war.