AV joyu shigan

ABOARD A LUXURY INTER-ISLAND LINER, A SPINSTER-TEACHER AND HER STUDENTS FIND ROMANCE.

In a rare and potentially fatal feat of cinematic daring, Dublin: The Movie was shot entirely between 12.01 am to 11.59 pm on Thursday, June 26th 2008. This audacious cinematic collage offers both a unique snapshot of a single day in the life of Dublin and a vivid example of a bold guerrilla filmmaking model. The film is an eclectic, multi-authored impression of Dublin (within the M50) as it lived, died, breathed, made love, filled up and emptied, consumed, wept, was rained or shone on, grew bright and then darkened again.

Laure is a stewardess wanting a baby, Oussmane is a musician craving for success, and Kahina is out of jail on daily leave in order to visit her son. As they reunite, they'll fight and help each other, while trying to fulfill their dreams.

Goundamani, the 'counter king, makes a comeback this time with a lead role dealing with the nuances of local politics

When a Filipino mail order bride arrives in a small town outside of Sydney she becomes aware of cultural differences by way of the inherent sexism and racism of her husband and his mates. She sees the Aboriginal living conditions in the country town as being not too far removed from the country she has left.

Eva, from East Germany is out of work. To her surprise the unemployment office send her to the Swiss Alps, to work on a Swiss mountain farm for the summer.