Atroz

In Summer 1943 Red Army Sergeant Tsybulya , is sent behind enemy lines with the mission to deliver anti-transport mines to partisans and help them to destroy the guarded railway bridge.

Henny, talent scout for the Margaret Ames Film Agency in Hollywood, mistakes understudies Judy and Marian for Eileen and Betty, the real stars of a Broadway show and signs them up for movies. Margaret, furious with Henny for the blunder, fires him--temporarily. Another agent, Marty Allen, once married to and still in love with Margaret, signs Betty and Eileen. Henny arrives with Judy and Marian, and the nightclub manager asks Henny to emcee the show. Though he is not sure himself what they can do, Henny introduces the girls and they make a hit in a dramatic sketch. (Simmer down, it's just a Monogram movie, and their nightclub attendees can react anyway director Phil Karlstein/Karlson wants them to.) Big-time movie producer R. J. signs them to a film contract. What does this have to do with the title, "A WAVE, a WAC and a Marine"? Judy joins the WAVES, Marian the WACS and Marty the Marines and all have two weeks before induction, and that is more than long enough to shoot a Monogram musical-within-a-Monogram musical and have a few days to spare.

Out of work vaudevillians join the army in WWI and head for France where they encounter an American girl (Withers) whose father (Schildkraut) is a French officer. Lots of slapstick.

Blondie mobilizes housewives for wartime duties. Husbands resist domestic roles. Dagwood fakes enlisting. Blondie dissolves housewives' group, returns home. Focus on gender role reversal amid war efforts.

In 1943, a drunk cook is mistaken for a secret agent and sent on a special mission from London to Nazi-occupied Poland.

In the middle of the WW2, one soldier decides he is even with the army.