Ana

This is the story of Elizabeth Green of her redemption and survival. She is the sister of controversial British billionaire Sir Philip Green, she has been brought up not wanting for much, materially. But her upbringing was cold and unloving and all the attention was on Philip. Every wall in her mother's flat was covered with newspaper cuttings of her rich and successful son Philip, Sir Philip as he was knighted by the Queen in 2007. The walls in the flat made it look as if she didn't have a daughter and that's how Elizabeth felt. So she went looking for love and attention throughout her life, in London, India and New York. She thought finding a man would make her feel loved, she had many 'dalliances' with many men, and still did not feel loved. In 1975, in Poona, India she wore orange robes and sat at the feet of the guru, Bhagwan Rajneesh. (Wild Wild Country Netflix) There she fell madly in love with a leading Indian film director, who was married and had a girlfriend. She met the girlfriend. Back in London at the end of the 70s after two years with the guru she married, not happily, and had three children, her greatest achievement. But that 23-year marriage fell apart and in asking for a divorce she starts to distance herself from the family, moving to New York. She begins to see the love she wants has been inside her all this time. She writes 'Not in the Script' the book about her life, and a young American guy called Brian (Kayne Lee Harrison) comes to interview her about making the book into a movie, he becomes the narrator and commentator throughout the story, through this he takes a look at his own life and marriage.

A 35 year old Chilean exiled mom reconnects an old college love through Facebook, that moments sets dilemma: she might turn into the woman she swore she will never be: her mother.

Left behind by his mother, an alcoholic prostitute, Georg grew up carelessly with his aunt and grandmother. As an adult he works in a department store canteen and has become an outsider due to his shape and infantile appearance.

A film adaptation of Barry Germansky's satirical play about the formation of suburbia and the sinister corporate interests that made it possible. Three pairs of lovers who live in the same neighborhood are too involved in their personal lives to recognize the corporate dangers that surround them (represented by a pesticide plant). It's "Our Town" in the age of the BP oil disaster.