All Heart

A month away from his impending marriage, a man (Will Estes, BLUE BLOODS) reconnects with an old flame (Devin Kelley, CHERNOBYL DIARIES).

More than 30 years after the dramatic ending of a train hijack five people involved meet each other on a television show. Starting point is the death of the only female hijacker: Noor. One by one the five enter the studio. Each with their own expectations or hidden agenda.

Deepak's carefree life changes when he falls for Anjali. He and friend Suleman get entangled with a merciless moneylender due to his obsession. Caught by a cop, Deepak must outmaneuver all to rescue Anjali amidst chaos.

A troubled teenager attempts to conquer the love of his life by becoming the baddest boy on the block.

Adrift in a lush, nocturnal urban landscape, Nick is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For writer/director Bolton's lonely "tagger" protagonist, the vast wall surfaces of deserted alleys and trainyards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion. His own virtually anonymous existence seemingly only secondary to the painted surfaces and "rupture the system" manifesto which more poignantly evidence his presence, Nick's prodigious solo graffiti output is interrupted by friendship with another young tagger. Their communication begins as less verbal than a kind of shared graphic tour de force; their enormous collaborative graffiti murals appear to emerge as the unmistakable offspring of their kindred spirit. But eventually their assumptions about one another are disproved as political, emotional and ethical issues arise which cause their relationship to dissolve into the background of urban detritus, and the artists themselves emerge only further atomized and alienated by the experience. Compelling themes, sensitive performances, and luscious visuals define this film which is a revealing immersion into the experiential reality of those daring to make their art in a socially condemned arena. For a film ostensibly focusing on manipulated surfaces, Bolton's cinematic artistry probes deep into the consciousness of the "tagger" and "graffiti artist" sub-culture.

Puja is a village girl . Puja lives in Pratap Chowdhury's house as a servant. Moina, daughter of Pratap Chowdhury gets tortured at her father- in -laws house for not giving the jewelries. Then Puja goes there and manage everything.