Aç Kurtlar

Jeff sets out to murder each one of the five outlaws who robbed, raped and killed his poor sister. He lays a fragment of her poncho on each of his victims' dead bodies as a mark of his revenge in a gripping, exciting tale.

A stranger named Lee Barton rides into the western town of Rainbow Valley where he's mistaken for a former resident named Ward Cluster who was believed killed in the Civil War. Cluster's wife Rose is now dead but his young son Sean--raised by Indian chief Gray Bear--also believes Barton to be his father. Barton soon finds himself in opposition to local boss Tom Cherry who used local Indians to drive off settlers, then turned against the Indians. Cherry is "sweet" on blonde townswoman Deborah but Deborah loves a drunken man named Ive. Cherry seeks to find $200,000 stashed away by a Mexican general and during the course of his hunt captures and flogs Barton and then kills both Deborah and Ive. Barton, having joined forces with a wandering sheriff from Tucson, kills Cherry in a shoot-out, finds the missing money, and plans a future with adopted son Sean.

Reverend Miller arrives in Tucson where he wants to build a church but on the very day of his arrival a gang carries out a raid on the bank and the people of Tucson, who are suspicious of the new reverend because he carries a gun, immediately blame him for the robbery.

A homicidal bounty hunter jeopardizes the safety of his wife to use her as a decoy to distract wanted felons.

Twelve years ago, Sartana framed his brother Johnny for murder and stole his girlfriend. Now the town's undisputed boss and doted over by his possessive mother, Sartana seems safe - until, his sentence served, Johnny rides back into town.

Florida, 1830 - Of all eastern Native American tribes, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a simple horticultural life. But white plantation owners, angry at the increasing numbers of black slaves fleeing to Seminole protection, want to take their land. Plantation owner Raynes, in particular, has convinced the military to wipe out the Seminoles. His rival Moore, a sawmill owner from the North who has a Seminole wife, is against slavery and considers it unprofitable. Chief Osceola sees the coming danger; he tries to avoid provoking the whites, but cannot prevent the war that breaks out in 1835. Osceola was primarily filmed in Cuba and Bulgaria.