A Beginner's Guide to Endings

Scattergood Baines, Coldriver's most popular citizen, neighborly counselor and sly old fox, entices a Broadway producer to Coldriver to see the gay musical extravaganza Baines is staging for the benefit of the U.S.O. He is also promoting the singing career of his latest local protégé, Betty Palmer. There are a few problems but the Sage of Coldriver manages to keep pulling the right strings.

Frankfurt On The Oder, 1991: Johann Rummel dreams of a career as a tabloid journalist. So far, the tricky would-be reporter has only approached the stars in his job as a waiter. Without a high-school diploma and professional experience, the chances of getting a coveted trainee-ship are slim. With his friend Maik he tries to recommend himself with gossip stories: As soon as a celebrity shows up, he gives the reporter and Maik the paparazzi. However, nothing more than nice memories emerges. His strong will nevertheless makes an impression on star journalist Marbach, who recommended him for her newspaper. The big chance comes from Erich Honecker, of all people, who is supposed to answer for the wall dead. All the media want an interview with him, but the former GDR head of state lets them down. Whoever makes him speak has the lead story of the year. In order to win Honecker's trust, Rummel befriends old SED comrades and appears to found the League of Young Communists in reunified Germany. Posted photos are just the beginning. This goes too far for his companion Maik, and his girlfriend Jenny, whose brother was killed in the "escape from the republic", turns away from her future husband. He's now obsessed with the idea of having the last interview with Honecker. At any cost.

The celebration of a 15th birthday give raise to a series of events between a group of teens that will lead them to encounter with situations of adventure, passion, comedy and maybe an encounter from "beyond".

An aged comedian tells the story of his early days and lack of success with women.

The story takes place in a parallel world during a tour of the musician Daniel Melingo in Europe. What looks like real not always is. With elements of surrealism, the 1930s and the 21st century, the plot accompanies him always focused on the intermediate times, when he downs the stage, away from the show.