20/20

"The Legend of Cool 'Disco' Dan" is the story of black Washington DC told from the perspective of Cool "Disco" Dan starting with his birth during the civil rights era and follows his life parallel with the rise of Go-Go music through the 1980s (which is the unheard but yet dominant urban music of DC) and also local DC politics with Marion Barry's rise and fall. Despite ending up homeless Cool "Disco" Dan used graffiti to escape the social problems D.C. had in the 1980s when things turned violent and became known as the Murder Capital of the United States. Cool "Disco" Dan ends up as a cult character of DC and his name becomes a symbol of survival during DC's most trying years.

The story of a woman that hunts for her rapist. Sylvia is an ordinary hard-working young woman. Her life changed completely when she was raped by a total stranger. After a spectacular hunt, she managed to lure him into the trap.

Christian Wahnschaffe, the spoiled son of an industrialist, meets Iwan Becker, a leader in the Russian Nihilist movement. Impressed by Becker's concern for society's weak and poor, Christian develops sympathies for the movement's ideals.

Snow is a film for the choice, betrayal and forgiveness between brothers and sons, narrated on the background of the harsh reality in an abandoned place.

" THE DRIVETIME follows a bemused time-traveling librarian named Flux from the serenity of 2023 to the chaos of Seattle in 1999, where he uncovers video footage from a riot that triggered the city's collapse. Society's obsession with communications technology has created the near-extinction of conversation. People communicate via e-mail and videofax; the film's few face-to-face encounters have a sourish, sitcom-type sting. On top of this jolting social examination, THE DRIVETIME presents police procedure as entertainment (a la programs like COPS) and disturbing abuses of police. THE DRIVETIME forces viewers to think about where our world is heading. This work should be seen by anyone who mistakenly believes that all's calm and well in our little digital sphere." -- Phil Hall - WIRED MAGAZINE