The Little Punk

In a community ruled by a wealthy and charismatic leader encouraging his followers to pursue extreme subjectivist beliefs, two girls are put to death for their heretical realism only to return as revenant beings who confront the community with the intent of waking them from what they view as a spell of deceptive consciousness ... but they soon develop a blood lust.

Victor McShane disappeared on Blanchard Hill in the spring of 1985. No one knows what happened to him... Twenty years later, a group of campers take a hike on Blanchard, unaware that a killer is on the loose, killing people without mercy. Two detectives are called up to Blanchard Hill to solve the mystery and locate the campers before they suffer a fate worse than death...

The citizens of sleepy small town Fate, TX gather for the grand opening of Consumart, a shiny new one-stop-shopping box store. The eager consumers gleefully pour into the store as the doors open at sundown. Why is the grand opening at sundown? Who cares, they've got cut-rate prices on plasma screens and baby clothes! DVDs! Mayonnaise! Coffins! Coffins? And before they have to time to really question this item, terror ensues and the store erupts into a bloodbath. A few weeks later, three oblivious, self-absorbed twenty somethings - CARRIE, SAM, and BONE - head out on a road trip to Mr. Fire (a festival which shares only minor non-litigious similarities, all of a purely coincidental nature, to Burning Man) and accidentally wander into Fate, unaware of its population's ill-fated transformation... into vampires. Being that the heroes are 20-somethings, they do it. Carrie, a shallow hothead, is dating Sam's wallet, er, Sam, who is a whiny, naive, hypochondriac rich boy. Bone, a callous hard-ass with a venomous way of speech, is still nursing a desire for Carrie predicated upon a drunken, frivolous one night stand. After a run-in with two blood-thirsty convenience store clerks in which Sam is repeatedly bitten and attacked and Bone is forced to slaughter them, our protagonists begin it wonder if something strange might be going on in the town. Luckily, but only in the sense that they didn't get murdered, the three stumble upon the only surviving humans in town: BYRON VON JONES, a trigger-happy, conspiracy theorist militia member; LYNETTE VON JONES, a haggard, trailer park slut and the only surviving wife out of Byron's harem; and ROY JACKSON (Chris Gardner), a cowardly, lying frat boy in his early 20s. The group bands together and takes shelter in Roy's ranch house, surrounded by hundreds of vampires intending to torch the property before sunrise, so they don't have to go home and try again the next day. Will our heroes escape death and transformation? Will Bone win over Carrie's dubious and indifferent heart? Does he even really care? And will the nefarious corporate franchise relevance to the plot ever be explained?

The film is about a small group of friends that are enjoying a party, only to have it crashed by uninvited guests. After barely surviving the werewolf attack, they learn that it has killed most of the people in their town. Now, surrounded by a town turned into werewolves, they face a difficult dilemma. Can they kill the innocent victims of the wolves, now werewolves themselves, to survive?

A young farm girl named Viola moves to the city to escape her abusive parents, but finds more people who take advantage of her, except a stranger named Robespierre who she falls in love with and marries. Robespierre has a secret though, and together he and Rachel take the ultimate revenge on those who took advantage of her.

Scathing satire on independent movie-making in Hollywood.