Ein Strauß voll Glück

A boys' junior national volleyball championship is approaching. 'Puen' (Oabnithi Wiwattanawarang) is a talented hitter. 'Singha' (Papangkorn Lerkcharoempote) is a competent setter. The two are skilled players of Theppanya School's volleyball team. They both vow to do their best to win the tournament. However, all of a sudden, Singha needs to move and changes schools to St Sebastian School and joins their volleyball team, which is the number one rival of the Theppanya School's team. Puen and his teammates are very upset and disappointed with Singha's betrayal. They decide to reform and make their volleyball team stronger by recruiting a new setter named 'Than' (Thiti Mahayotaruk). Than is a hardheaded and always gets into fights with Puen. To resolve this problem, 'Best' (Apinya Sakuljaroensuk), their beautiful team manager, decides to hire 'Win' (Prama Imanotai) as their new coach. Win comes up with an intensive training programme that pushes the boys so hard. The training causes Best to wonder if Coach Win is doing this to help the kids chase their dreams, or is it an attempt to relive a life, and a dream that he was never able to realise for himself. As the tournament day gets closer, the harder their training becomes. Puen, Than, and their team members start to bond and open their hearts and develop sportsmanship towards one another. Then the days comes when Puen faces Singha again on the volleyball court but on the opposite side of the net. Will Puen and his team be able to overcome their rage towards Singha and learn what it truly means to be volleyball players?

Life of Julie a 36 years old woman dumped, childless, unemployed but a phone call will change everything in her life.

Tales from the edges of a dysfunctional Asian family in Manchester.

Nie Xing Chen is a perfect secretary at work, whereas CEO Yan Jing Zhi is famous for his cold-heated attitude. Being impressed at Nie Xing Chen' work and feeling familiar with, she is coerced into working for CEO as his new secretary.

Thomas starred in the musical-variety and comedy episodes (many drawn from his earlier Make Room for Daddy (1953)) and hosted the more dramatic offerings.

After switching in-and-out of character so often by snapping his fingers, Jesse finds that he can longer control his story-telling power. This causes a blending of worlds, an identity crisis...and perhaps...a hidden darkness.