The Wrong Door

We were all born with PRIDE. Pride is the first sin to enter a man's heart and the last to leave. What happens when people possess a form a pride that has ruled their entire lives due to their past experiences? Each prideful person in this film can only see life from their own perspective.They only care about themselves. They have it all figured out, but little do they know that pride precedes a fall, and a proud heart will cause God to become their greatest enemy. Their pride will soon bring humbleness and destruction. The famous saying is that " You should be careful how you treat others because you never know when you will need them."

A magical realist film about a man named Miles, who looks back on his life as he comes across younger versions of himself in the woods by his home.

Joan Cameron is engaged against her will to Paul Bisson, the trading post factor. While her father and Bisson are away, Joan's sister, Esther, elopes with trapper Jules Perrault, and Joan meets Barry O'Neil, a dashing Northwest Mounted Police officer who falls in love with her and departs, promising to return. Months later, Esther, bearing a child, returns. Cameron and Bisson also show up unexpectedly, and Joan claims the child as her own to save Esther from Cameron's wrath. In pursuit of Esther (who he believes murdered Perrault), O'Neil chases Joan, unaware that she is his "Colleen," when she flees with the child in a canoe during a raging forest fire, assisted by Jerry-Jo, the half-breed. Bisson, enraged, also gives chase, kills Jerry-Jo, and then dies when the half-breed's dog attacks him. Joan and O'Neil return to the post to find Perrault, still alive, planning to marry Esther.

An opera company touring rural Vietnam is beset with personal, political and sociological infighting. The company's two lead actresses' friendship is threatened with romantic entanglements involving past and present boyfriends. issues like pregnancy, abortion, gambling, adultery, poverty , women's rights and spousal abuse as well as the relevancy of old, less popular operas and the role of the entertainer during times of economic upheaval are considered. The film uses a parallel stage/realty, "drama-within-a-drama" construct.