Hassan Azimi, one of the last survivors of Iran's traditional theater, narrates a clear narrative of this kind of drama and the issues surrounding it from the point of view of the audience.

In this film, while dealing with the life of Hassan Azimi, one of the last survivors of the traditional Iranian theater, a clear narrative of this kind of drama and the issues surrounding it are passed on from the viewers' point of view. In line with this trend, Hassan Azimi has performed several plays, including: Saadi Hamlet Mish-e-Bloork and Cheshmeh-e-Noush . in important theaters around the world. Like the first season (Blue Hole), this film takes a small step to record and record important events of contemporary Iranian theater so that future generations can have a document of the history of contemporary Iranian theater and better know the heroes and currents of this field.—farzad farahvashi