A continuation of "Bawa Duka"; via Peduru's family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signal a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials, but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.—Thivanka Rukshan Perera

The movie is a sequel to "Bawa Duka". The family continues their existence as Nonahami is the sole breadwinner of the family. The lost son who was believed to have drowned appears one day with a pastor who has been taking care of him. Graham the son helps the family and the village. The other children grow up. Muhandiram will finally meet his end at the hands of one of Nonahami's children.