Autochrome

Josie leads a life of passive mundane displeasure before his psychic ills deform him and sees him roaming the rainforest hinterlands of Queensland. A Grand Mockery is simultaneously singular and a flashback to underground filmmaking before it became codified. Filmed on soft luminous super-8, tonally playful and structured as a diptych, A Grand Mockery begins as a work of morbid comic realism before the film transforms along with Josie.

A man returns to his Irish town after being in jail for five years for murder. His friends try to help him fit in again, but he refuses and secludes himself from the world. Only a pretty girl and his crippled son can still reach him.

"The Ghost That Never Returns" is an outstanding Soviet film by Abram Room, the director of Bed and Sofa (1927). Released to little notice in 1930, it joins other very late silents to show the screen still developing high eloquence after the first talkies stopped silent cinema dead in its tracks. This is the original silent version with new English titles and a new musical setting by Rodney Sauer.

In a world first collaboration between emerging Asian movie powerhouses, China, Korea and Australia comes the classic adaptation of Lao She's The Rickshaw Boy. Set in three locations, across three countries each thirty minute chapter tells the story of one man's struggle for survival amid the age of disruptive technology and explores the intimate relationship that has come to exist between man and machine and the evolution of that relationship.